Sculptor, painter, filmmaker and a founder of the legendary Aradia, Jere Van Syoc (1935-2018) shot Super 8 footage throughout her life as an artist and devotee of high play. She edited her footage into two finished films, the early “Lebisia” and the late “The Brothel, the Temple, and Art,” which she assembled from her footage
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Coming around a bend, saturated and noisy images introduce a murky day on a country road as rhythmically a wiper chops across the windshield, and thusly the point-of-view. The titular goats, on an abrupt cut, introduce themselves (seemingly one of the goats is the same as in Elam’s “Monterey 81); several gentlemen accompany the goats.