Jack-O-Lanterns
“Jack-O-Lanterns” weaves forward and backward, rendering a pair of jack-o-lanterns in a milieu of grainy visual noise from a variety of perspectives-at times obscuring the re-utilized pumpkins.
“Jack-O-Lanterns” weaves forward and backward, rendering a pair of jack-o-lanterns in a milieu of grainy visual noise from a variety of perspectives-at times obscuring the re-utilized pumpkins.
Similarly to Elam’s other sink-centric work, e.g. “Letters and Dishes,” “Joe and Greens” takes note of a pair of hands in and around a kitchen faucet. At work, these worn hands meticulously prepare vegetables: de-stemming kale, washing (what appears to be) radishes, and tossing lettuce about soapy water. The man on screen is Joe Hendrix,
Beginning with a black cat sunbathing, “[Black Cat & Green Garden]” opens ground level, cutting frantically. After several restless, feline-centric beats, the camera moves upward, swiping from left to right vigorously, and takes blurry note of the garden at eye level. The camera finally relents;it slows to depict the garden at a manageable rate, surveying